Synopsis of the show

If the show begins facing the spectators, in a fairly traditional manner, it will then evolve towards a much more open relationship connecting with everyone, the actors and the spectators forming nothing more than  humanity which exchanges, questions itself, creates together .

Theatre music (accordion, tuba, trumpet, clarinet, flute, drums), songs and circus (balances, lifts, juggling, diabolo, ribbons) allow the characters to express all their energy, all their complexities, for the greatest joy of spectators of all ages!

Quiénes somos ?

Charlotte Boiveau grew up in the world of theatre. After a Baccalaureate in “Circus Arts” at ENCC, she entered ESAC in Brussels. On leaving, she performed a wire rope solo And one thing led to another and she continued to train in clowning before joining the Artiflette Company for the creation of La Famille Fanelli. Charlotte’s work mixes circus and theatre, one serving the other alternately. In 2009, she joined Cie Singulière for the show “Apartés”. A particular form where reality and play intertwine and pushes us to question everyone’s place. From 2013 to 2015, she was in Germany in the “GOP” cabarets with “Plüfoli” that her character of the grandmother continued her journey.
Since 2016, in Bobines et Flacons, she has had fun with the clownish, mischievous and naive character of “Marie-Renée the spider” who defies the laws of balance by evolving in a fragile and unexpected setting.
In 2023, she followed the “Couturier/retoucher” training, to perfect her costume and set design. She is full of enthusiasm as she sets about textile research for the characters and settings of Petit(s) Present(s) pour Grand Futur.

Mikaël Vienot has been practicing circus arts since childhood with the creation of the “Mini Cirque de Barraux” (at age 7!) and at the circus school (Arc en cirque, Yole courses). He also learned music (flute, sax, percussion, etc.). After a year in Brazil, where he gave circus workshops and immersed himself in capoeira, he trained at ESAC in Brussels, specializing in hand to hand then trampoline.
In music, he broadens his palette towards brass instruments (sousaphone, trombone).
Since 2005, he has been working in the world of entertainment, in the street, indoors and under big tops, notably with Lebotrio (juggling trio on trampoline), Cie Singulière (“ApartéS”, “AmalgameS”), Le Ginger Brass Experiment ( lyrical singing and brass trio), Le Cheptel Aleikoum (“Opus7”, “Galathon”, “(V)ivre”), GOP cabarets, Cousins Germains (swing musette trio).
Sometimes a jack of all trades, sometimes a one-man band, today he is particularly fond of the meeting points between disciplines, people and worlds. He likes collective dynamics, working on them, taking care of them.

Actress-singer and vocalist from Lyon, Hélène Grange has been working creatively around musical theatre since 1984 and more particularly in song since 2004. Music, text, improvisation and clowning are her tools. She sings other people’s songs, others write them for her, she also writes, free forms where voice and interpretation can play around with conventions.
Since 2004, she has been part of the collective of Lyon singers “Les Zondits”.
She created 2 musical theater shows, including “Tout le monde est pas moi” in 2006 which benefited from creation assistance from the DRAC Rhône-Alpes, the Rhône-Alpes region and the Rhône department.
She co-designs and stages theatrical-musical shows with actors, musicians, singers:

• Myriam Viénot and Charlotte Boiveau of the Artiflette company (Jeanne Bouton d’Or and Bobines et Flacons),
• Sandrine de Rosa and Jocelyne Condat from la cie Ces temps-ci (“I swallowed a seed”),
• Patrick Sapin of La Tribu Hérisson (“Il souba del fono”, “We recognize the song”),
• Isabelle Augier from the Elephant de Poche company,
• And Claire Sabbagh, The Swing Brothers, Nadine Marchal and Stanislas Pierrel, Claude Lieggi, Véronique Vallet, Michel Sanlaville, Lorette Zitouni, and various vocal groups.